....."Fear them not therefore: for there is nothing covered, that shall not be revealed; and hid, that shall not be known". Matthew 10:26 (KJV)

Monday, July 18, 2011

The Luciferian fire of Benjamin


From "Save the Capital City" blog of Douglas Willinger. See the occult architecture of the Novo Ordo Seclorum spread all over the world: the city of Washington D.C., built by the Jesuit-Masonic black hand (Masonic architect L'Enfant and Roman Catholic bishop John Carroll, his patron) and its "Benjamin Franklin's Mysterious SunFire". All that will help to understand also the Luciferian architecture of the "G-ateway to the East", the Jesuitical city of Trieste:

Monday, June 11, 2007

Benjamin Franklin's Mysterious SunFire

This intersection marks the most profound secret of Washington, D.C., according to the book "The Secret Architecture of Our Nation's Capital: The Masons and the Building of Washington, D.C." by David Ovason.

Ovason says interesting things about Washington, D.C. reflecting the constellation, in particular regarding the celestial triangle of the Capitol, the White Hose and the Washington Monument, and hence, the Federal Triangle:

The interesting thing is that this stellar triangle was evidently intended to remain invisible. It is a stellar figure that we know is there, yet which remains hidden from our sight. Below on the earth, its equivalent form, the Federal Triangle, is plainly visible, with Pennsylvania Avenue as its longest side. Since the Constitution Avenue line of the Federal Triangle represents the ecliptic, the implication is that Pennsylvania Avenue was intended by L’Enfant and Ellicott as a sacred route, with its celestial equivalent as invisible pathway in the skies.

Perhaps it is clear now why the symbol makers and architects of Washington, D.C. concentrated their efforts on zodiacal symbols which reflect so deeply the arcane nature of the stellar Virgin? Perhaps it is clear now why the idea of an earthly triangle – encapsulated in the phrase Federal Triangle – should reflect this stellar form on the earth plane?

From the very beginning, the city was intended to celebrate the mystery of Virgo – of the Egyptian Isis, the Grecian Ceres and the Christian Virgin. This truth – and this truth alone – explains the structure of the city, and the enormous power of its stellar symbolism. Washington, D.C., is far more then a city of zodiacs – it’s a city which was built to celebrate a massive cosmic symbolism, expressed in stars. Its the main buildings – Capitol, White House and Washington Monument – mark on the Earth the annual renewal of that magical pyrotechnic display in the skys, which occurs on the days around August 10. (page 344)

From whatever direction one approaches the history of Washington, D.C., the processional avenue of L’Enfant seems always to find its way into the story, and the tale is usually linked with Masons. If we glance at the history of the capital from the viewpoint of, say, sculpture, we find a seamless fabric which joins together generations of artists through almost two centuries. And, this is a fabric woven in the vicinity of Pennsylvania Avenue.

Today, the Old Post Office is set back from Pennsylvania Avenue, oriented to the squares drawn on the original map along D Street, as though some planner had forgotten about what L’Enfant had indicated on his map. Across the road is the beaux arts building that once housed the most influential newspapers in the city, the Washington Evening Star, its façade still looking down onto the statute of Benjamin Franklin, who occupies the triangular-shaped declivity in Pennsylvania Avenue. It is entirely fitting that this building, so intimately linked with a setting star, should look onto one of the most influential of early American Masons, one who had knowledge of the stars and was a keen astronomer. The sculpture, commissioned of Jacques Jouvenal as a gift to the city by the newspaper proprietor Stilson Hutchins, was designed to look onto Pennsylvania Avenue from 10th Street [note. It sits on the south-eastern corner of Pennsylvania Avenue and 12th Street], because in those days the avenue was flanked by printers and newspapers: within a stones throw was the largest litho printer in the United States. Now the printers and newspaper have fled in the wake of threatened and actual development, leaving Franklin, displaced from his original symbolism, raising his right hand as though astonished in their disappearance. Nonetheless, there seems to be a destiny even in accidents, and this placing of a Mason on one side, and a building named after an evening star, is propitious.

The Evening Star departed its famous building in 1955, leaving only its stellar name in metallic and lapidary inscriptions overlooking the Pennsylvania frontage. The reception hall of the newspaper has been revamped in modern times, but it is possible that a meaningful symbolism has survived from earlier days. In its marble floor is a huge sunburst, or starburst pattern. The five splendid radiants throw their beams out toward this magical avenue, as though he were part of the profound secret of Washington, D.C. [emphasis added] (pp 311-312)

Does the state of Franklin, on its pedestal below the campanile, hold up its hand in amazement of this solar wonder? (page 344)

This is the same Benjamin Franklin statute that faces diagonally across the intersection of Pennsylvania Avenue NW and 12th Street NW to the Covington & Burling building at 1201 Pennsylvania Avenue NW. Ovason discusses The Evening Star building that sits to Ben’s right (3’o clock); but he altogether ignores the identity of the building that Ben directly faces.

If one were to draw a line from the door of the lobby of The Evening Star to this Franklin statute, its mirror line goes towards the northeast rear corner of this Covington & Burling building. His upheld hand points into this building, as do his eyes.

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posted by Douglas A. Willinger @ 12:06 PM 1 comments


Originary published in "Sex and the Vatican" blog:

Monday, March 9, 2009

The Luciferian fire of Benjamin


From: "Papal Keys and Masonic Symbolism, by Mad.Arsenal" - II


Papal Keys and Masonic Symbolism, by Mad.Arsenal

Aug 1 2007, 12:34 AM - CRAIG-OXLEY:

Heres a little piece by a member of mine, you may wish to view. I've questioned myself your explanation for Hiram Abiff and the masonic ritual which you link to the Jesuit Order. As far as I'm aware that ritual has never changed for many many years. Therefore it cannot have anything to do with the Jesuit Order itself who only existed in 1534 apart from being the Los Alumbrados and so forth before. The Jesuit Order never had any power of Freemasonry until the 18th Century. To me the explanation within this article is more correct. Let me know your thoughts on what I've just said. -Craig Oxley

Papal Keys and Masonic Symbolism

Dear Craig,

A truly great post! Lots of great pics!

The legend of Hiriam Abif and the rite of the third degree of Blue Lodge Freemasonry no doubt dates back centuries. But the actual rite as it exists today may be of more recent origin. It may date back to shortly after the Pope's suppression of the Order, about the time of the Council of Wilhemsbad in 1782. It was at this Council that the Order began to repair the breach in the first Great Masonic Schism and consolidate its power over a re-united Scottish Rite Lodge.

It cannot be mere coincidence that three nations killed the Jesuit Order ("Father Hiram"---the chief builder of Solomon's temple) within its borders (symbolizing the three ruffians); that Hiram was raised from the dead by the Worshipful Master (the Pope---who is to be worshipped in the East from the Third Hebrew Temple) with the grip of a Lion (the Pope assuming the title of the "Lion of the Tribe of Judah") and that the Order has placed at the center of "the compass (male) and the square (female)" the letter "G." I am in agreement with the late Jesuit Temporal Coadjutor F. Tupper Saussy, that it stands for the Order's Church of the "G"esu in Rome.

It is the risen "Father Hiram" (the Jesuit Order) who aids the Worshipful Master sitting in the East (the Pope) to be the Universal Monarch of the World.

Sincerely in Faith,

Brother Eric


What you say below does have merit. I personally stick with the Generative Principle for the 'G' which has far more important meaning than any Gesu which the Jesuit Order in charge of the Roman Catholic Institute would use. It has been spoke of in the past by the legendary William Cooper that Hiram Abiff was symbolism for Jacques De Molay the Grandmaster of the Knights Templar. The now dead very devious two-faced Temporal Coadjutor Saussy may think the G stands for Gesu but he doesn't impress me. I'd also add that the Compass and Square really is symbolism for the 6 pointed star of EL. Now what is the 6 pointed star? The MALE and FEMALE union with the up triangle being Male and down triangle the Female. Like I say the GENERATIVE PRINCIPLE!

Craig Oxley


- Adolfo Nicolas -

Aug 3 2007, 03:08 AM - Mad.Arsenal:

Personally, I wouldnt say Eric is wrong necessarily in the assertion that the 3rd degree ritual symbolises the Company being Hiram who's finished off by the 3 catholic nations and restored back to life by the Pope. It can be both. But I dont see there can be much doubt that if it being the case, its built upon the solar allegory of old. October givin the sun a blow but it survives. Novemeber trying to kill the sun, but still it survives, tho greatly injured now. It wanders on feeble and weak, but doesnt survive the final attack of December.

What could be the case is that the Jesuits formed a version of the solar allegory that would correspond to the history of the suppression, cuz it does indeed fit well with the Order's suppression and restoration etc.
After all, the whole Mysteries thing is about many layers of symbolism. But in 95% of the cases, the most inner layer is the astronomical one, cuz that naturally stands the test of time, anywhere in the world in any nation, culture or language.

I think that the Hiram Abif version of Freemasonrys Mysteries' ritual appeared first around mid 1700's some 40-50 years after the official creation of the London mother lodge, but Im not sure. And I dunno the exact nature of the Hiram ritual at that time, it might well have been changed after the Jesuit's restoration. But the main ingredients of the ritual hasnt changed for atleast 4200 years, simply bcuz the yearly cycle of the sun hasnt changed. Which is what makes astro-symbolism so fundamental and persistant.

The concept of the initiate being slain then lost/buried then resurrected is as old as the Egyptian mystery schools. Of course, the reason the tribe of Judah was assigned the lion is cuz that tribe was the "dominant" one. The lion is Leo, the "sole house of the sun", just like the tribe of Dan has Scorpio, Simeon has Pisces, Reuben Aquarius, Benjamin Gemini etc.

In the Persian mysteries the sun-god Ormuzd died but finally triumphed over the forces of darkness, in India the initiation ritual was about the death/resurrection of the sun-god Sita, in the Eleusinian Mysteries of Greece, Bacchus was the dead/resurrected sun-character. Another Greek mystery school had Kabiri, where the initiate would stumple upon the dead body of this sun-god and later it was resurrected amids joy and cheers of the members in the ritual. And so on and so forth. They were all derived from the degrees of the Osiris School of Egypt in some way or another.

Which was a lunar cult mystery school, the initated swearing to a life in the service of Isis. Just like the priest at the altar in the initiation ritual of the IHS School (Bacchus) wore the symbol of the moon, being dedicated to her service. Sounds abit like Jesuits to me, with the Mary devotion? Is this why they have a moon on their IHS symbol sometimes?

On another note, one cannot underestimate the role played by the Mystery Schools in general in ancient history.

In time, all the advanced scientific knowledge was concentrated and held within these mystery schools where priests and rulers were chosen from. Infact, if you wanted to learn any advanced practice like architecture or mathematics, you had to become initated in the degrees of some mystery school and learn about the universe. The "degrees" harnested all the intellegensia for themselves.
They didnt have open universities for any ol' sheeple, like today.

The sun moves one degree pr. day, they said, and it doesnt move for 3 days at winter solstice which gives 362 degrees in the full yearly cycle. For the sake of the use of mathematics, a circle was given 360 degrees, the circle of the universe.

So today, we go to universe city - university - and get a degree. And upon graduation become a luminary - a planet.

Saturn to be exact, the wise ELite.

And get the Saturnian black robe and square hat, the mortar board hat, coming from the gigantic mystery school that is the Roman Catholic Church. The college of cardinals I think it was, used to wear them upon initiation into the "catholic mysteries". We also get the word "college" from the RCC's college of cardinals according to Jordan Maxwell.

The RCC banned the mystery schools starting from the emperors after Constantine. Cuz "catholic" means "universal" and the RCC is in many ways the biggest mystery school in history, with the exoteric "Christian" religion and the esoteric astronomical etc. meanings for all the symbols, stories and idols. It was a monopoly on the "Mysteries" one might say.
But the mysteries were still being celebrated in many provinces of the empire under different names, being traced right up till the time of the first stonemason guilds, and even further into the 11th and 12th centuries. Always with the initiation ritual of the neophyte role-playing the sun's death/resurrection, thats the core of the ritual of the Mysteries.

From the Osiris School of Egypt where Pythagoras went to become initiated, to the Bacchus IHS of Greece and to Rome's Sol Invictus, the Mithras version, where Constantine was the high-priest, representing Mithras on earth. But only the initiates could learn the "mysteries" of the Mithras religion. That he was the sun.

And this is actually an interesting mystery school in connection with the equinox symbolism.
Mithras was an aggressive god, slaying the bull (the age of Taurus) upon birth from the primordial rock/egg (mushroom/phoenix birth stage)

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So the soldiers of the army of the Roman Empire practiced this mystery school with great joy and devotion whereever they went, it became a military mystery school, or "religion" as these Mysteries are called, where Constantine was the high-priest. It became outlawed to practice the Mithras mysteries when Christianity was made the empire's official religion. Much to the regret of the soldiers.
The army leaders would initiate soldiers into the mysteries in 3 degrees at first, it was their religion at the time.

Here's the ruins of a Mithras mystery school temple some Roman army division built alongside Hadrians Wall across Britain from the 3rd century, I think it was:
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Here's a reconstruction in some British museum:

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Notice the two torch-bearers. Those torch-bearers was part of Mithras symbolism, one torch pointing up, another down.

An artists rendition:
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Notice here the sun and moon over the torch-bearers. Any connection to the two pillars supporting the "Royal Arch" of heaven?
And more importantly, why are their legs always crossed?

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Its the equinoxes of course. The one with the torch pointing up is vernal, the downwards is autumnal. The gateways between the realms, life and death.

Which is layed out here in this drawing of another temple, if one understands the astronomical key to these Mystery symbols:

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Right side is winter and autumn: Death realm of the sun.
Left side is spring and summer: Life realm of the sun, a.k.a. the Royal Arch.
With the two gateways between the realms, the two equinoxes. The legs crossed.

Life realm gateway and Death realm gateway:
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I forgot Skull&Bones
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The cross is the equinox and 322 is March 22nd as we know, spring equinox.



Originary published in "Sex and the Vatican" blog:

Monday, March 9, 2009

From: "Papal Keys and Masonic Symbolism, by Mad.Arsenal" - II


From: "Papal Keys and Masonic Symbolism, by by Mad.Arsenal" - I


The following posts are from the very important thread of the old "13" The Unhived Mind. To tell the truth all the Saturnalia section of that site is important, but the undersigned has only 24 hours per day at disposition, and just for what he is doing, those 24 hours are very few.

The central key figure of the incredible Novo Ordo Seclorum Geometry of the "Gateway to the East", aka the city of Trieste, is based just on that "Saint Just/Justus" figure:

Reversed pentagram, Masonic squared triangles, Virgo triangles of the urban (Counter Reformation shaped) architecture of the "Gateway to Hell"/city of Trieste, seem to be centered on the figure of that guy, a Vatican 1700 years old cartoon I nicknamed: "the saint protector and patron of Vatican scuba divers". You'll realize why later.

Papal Keys and Masonic Symbolism, by Mad.Arsenal

Jul 31 2007, 04:16 AM

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Here's alot of masonic symbolism and the perhaps the true origin of the Papal Key symbol and its connection with the skull and crossbones symbol.

Like 95% of all symbolism is astronomical in origin, I see it from that angle cuz I believe thats the right angle to begin with.

And we must begin in ancient Egypt.
This is how they typically buried their mummies, with the arms crossed:

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The cross in its basic symbolism is the equinoctial cross.
They had 12 steps in the mummification process, alluding to the 12 signs of the zodiac.
We must understand how important the heaven and the sun's yearly cycle was to them, and how they transferred that knowledge of the "above" to explain the world "below".

First we need to know abit about some esoteric Freemasonry symbolism.
Freemasonry - the Blue Lodge (first 3 degrees) - has 2 doctrines:
1. There is only one supreme nameless creator being, the "grand architecht of the universe"
2. The soul of the human being is immortal and survives the grave

This is clearly explained and layed out in 32nd degree Freemason, Robert H. Brown's book, "Stellar Theology and Masonic Astronomy" from 1882.
For example, in a section explaining the Egyptian tau cross, p.215, he quotes it directly from a masonic lecture:
The tau cross, is as has been shown, an ancient symbol of
Egypt denoting salvation and eternal life. The triple tau, being
a combination of the tau cross three times repeated, teaches us
that "we have an immortal part within us that shall survive the
grave, and which shall never, never, NEVER die" (Masonic

This is the two ancient doctrines of the mystery schools. The population was to get the exoteric version with the superstitious gods, based on the heavenly bodies, and the initiated learned thru the degrees the esoteric version, that "there is only one supreme being", and the dieties are but the planets etc. And that "the soul is immortal."

In this tv-program about Freemasonry, we learn about the grip of the 3rd degree, a grip called the "Lion's Paw", at 12mins54secs:

It also shows the 3rd degree of Freemasonry, where the initiate will play Hiram Abiff (the sun) who's slain by three ruffians (October, November, December or Saggitarius, Capricorn, Aquarius)
While he's buried, 12 masons go searching for him (the 12 months/zodiacs) and the 3 masons going West find him (January/Pisces, February/Aries, March/Taurus)
They then try to resurrect him 3 times (April/Gemini, May/Cancer, June/Leo).
They try with the two first grips (Gemini and Cancer) but only succeed the 3rd time, raising him from the dead to full upright position with the special grip, the "Lion's Paw" grip. This is of course an allusion to the sun being finally restored to full glory at summer solstice, June 21st, the sun in the sign of Leo the Lion, the strongest sign whith its strenght finally resurrects the sun/Hiram Abiff, role-played by the initiate.

This shows alot about how much they care about the different stages of the sun, the yearly cycle. And the veneretaion of the sun's yearly revival. At winter he's dead. But then at vernal equinox he suddenly begins to show signs of life, he is resurrected from the dead, once again, the eternal life of the sun bringing eternal life to the world. Therefore the allusion to the immortality of the soul of man, as above so below.
The vernal equinox was the most venerated, thats when you could feel the suns revival and nature beginning to spring back to life. The sun had therefore passed from death to life.

On page 98 in Brown's book, we find this ancient drawing from a king's sarcophagus. It shows his initiation into the degrees of the Mystery School of Isis:

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The initiate, the king, is playing Osiris, the sun. He's the one lying "dead" on the floor. Obviously what we see is Leo gripping him to raise him to life at summer solstice, with the "Lion's Paw". The lion getting the signal from Isis at left (what would be the Grand Master in Freemasonry's ritual)
Today at summer solstice the sun is in the sign Gemini, but Freemasonry hasnt changed its ancient ritual over the many thousands of years from Egypt to the present.
Actually, Brown shows that Freemasonry is built wholly on the particular Greek Mystery School of Bacchus (IHS) which was of course built on the Egyptian ones, like all the Mystery Schools. The Bacchus mystery school was continued as the Essenes cult, and Bacchus was the sun hero who's almost exactly like Jesus, turns water into wine etc.

What we will notice on the picture is the cross on the initiate playing Osiris. That is the cross that represents Osiris.
This cross is the equinox, "The Great Celestial Cross".

The Egyptians had different names for the sun in its different stages:
The sun was called "Atum" at dusk, "Osiris" at night, "Khepri" at dawn and "Re" at noon.

Osiris was the sun when it was DEAD. That is either at night or at winter.
Therefore, Osiris became the judge of the Netherworld, and after you died and was burried, you'd have to face Osiris to be judged. He was infact the gatekeeper to the other realm, the realm of the dead.

So, the cross represents the equinox.
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This was a very special time when the sun either came back to life, or passed away. Which is where we get the term "to pass away". Over the equator to the other realm. Or the Hebrew's "passover" at vernal equinox, celebrating spring and "springing to life" of the 12 tribes out of Egypt:
As described in the Book of Exodus, Passover marks the "birth" of the Children of Israel

The equinoxes are the points where the sun crosses over equator to the other realm.
Either from death to life, or from life to death.

The equinox thus represents the gateway.
It was also represented in the "Sun gate" or "Sun door", and when you pass thru that door, you go to the "beyond", the realm of the spirits, the "heavens" etc.

That is, the two pillar's most ancient and basic function was to mark respectively summer and winter solstice, to secretly function as a calendar. When they built their suntemples - facing east - they first placed a spot on the floor. This is called the "blazing star" in Freemasonry, and is found in the chequered floor of their temples, a pentagram.
They would stand on the spot, the "blazing star", and at summer solstice the would mark a place for the one pillar/obelisk outside the temple exactly in line with the rising sun, then do the same at exactly winter solstice.

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Notice the "blazing star"

That means, whenever the sun rises in line with the north-east pillar, then its the day of summer solstice. And the south-east pillar, winter solstice. Thats why, as As Brown explains, still to this day, the masonic laying of the cornerstone is a sacred ritual, and it must for this reason be the north-east cornerstone layed first, for summer solstice.

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Laying the north-east cornerstone of the new building: A new nation

Also, they would put mosaic chequered patterns on the floor of the temples to make it easier to measure the shadow and thus the time of the year.

These two pillars came to represent the "doorway of the sun". The "sun door".

"The Royal Arch of Freemasonry" means the heavenly sphere from vernal to autumnal equinox. That is spring and summer, these seven signs of the zodiac in the part of the year where the sun is alive and brings life, fruit, light and happiness. From Taurus to Scorpio. Or, as the masonic tradition was further evolved a couple of thousands of years after the high epoch of Egypt, the sun had moved via the prescession of equinoxes, one sign. Which is also the astrological positions used today (altho it has moved one sign further the last 2000 years)
Therefore the Royal Arch is actually from Aries to Libra, and the strongest point, summer solstice, the "Keystone", is therefore Cancer, summer solstice at around 0AD.
The Keystone State
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Notice how the moon is the one pillar and the sun the other which is how they often had it in Egypt according to ancient scriptures. They had different meanings for these solstice pillars, one of them of course Saturn (winter solstice) and the Sun (summer solstice) the two phallic archtypes.

These 3 points of the year, vernal equinox, summer solstice and autumnal equinox represented respectively beauty (spring, risen sun) strength (summer, strong live sun) and wisdom (old, wise sun)
Which is what they tell masons the three candles represent that is found in every masonic lodge around the altar:
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It is of course these three points of the year from the Royal Arch.

This arch-doorway on the two solstice pillars represents the "sun door of immortality", the door to the beyond to the other realm and you'll always see the keystone as a speciel stone. Like the Arch of Triumph in Paris:

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This arch, "sun door", is also in the intersection of 12 roads for the 12 zodiacal signs:

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When the sun rises exactly in the middle of this sun door, that means its equinox. The special point where the sun is "crucified" and passing over equator to the other realm. Therefore they used to put the winged sun where they now put the keystone, alluding to the sun passing over. Again, notice the 12 zodiacal zones:

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And here we have the Pope passing thru what the Vatican call the "Holy Door", to mark the so-called "Holy Year":
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Very holy indeed.
No, just the same ol' sun door to the other realm

It is the "Sun Door of Immortality", the eternal life of the sun. And when you go thru it you go to the beyond. The beyond is eternity. The afterlife.
And in Egypt, Osiris was the judge you would face before entering the afterlife, he was the gatekeeper. Thats why he is represented with the cross. Its the cross of the equinox. The place where the sun/you will pass over.

The symbol itself "X" clearly shows a line/path passing over a border, the apparant path of the sun passing over earths equator to the beyond.
The "X" is the doorway to and a symbol of the afterlife, and we can now understand why they typically layed the arms in a cross on the mummy to be buried.
Some say that Freemasons sometimes do this aswell when their brethen are buried.

Osiris' symbol is therefore the cross, the symbol of the afterlife. They called it the Netherworld, where the sun enters at winter or at night when dead. And the symbol of the gatekeeper of the Netherworld.
He is the supreme judge and gatekeeper. The pharao would often represent Osiris becuz he had the ultimate authority, the "keys to heaven and hell". Nobody would thus go to the Netherworld without going thru pharoah.
Just like "nobody" will go to heaven without going thru the Pope

Here's Osiris, lord of judgement, forming his equinoctail "X" with his arms, the doorway to the beyond:
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Again, the equinoctial cross of Osiris:
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At the door:
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And we can now better understand the symbol of the skull and crossbones:
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So the pharaoh would do the cross of Osiris cuz he had the spiritual power of the gods:

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BUT - notice the two different rods: An emperors rod and a shepherds rod.
The emperors rod is pharaoh's TEMPORAL POWER.
The shepherd's rod is his SPIRITUAL POWER.

Becuz we are the sheeple and he is our shephard, the ancient symbolism.
"Pastor" even means "shepherd".
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Now we can collect the pieces of the Papal keys. The silver one is the temporal power of the earth, the golden one the spiritual power of heaven.

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It is simply the same old solar concept, the keys to heaven and hell symbolised in the "Great Celestial Cross", the equinoctial cross, the gateway to the beyond that the Pope claims to keep. He holds the power of Osiris, the gatekeeper of the beyond. No-one will go to heaven unless they go thru the Cardinals (from latin "cardo", "hinges") and the Pope (door) who holds the keys. The so-called "keys of St. Peter".

And they have chosen to put the mitre on top of the cross in the Papal Keys insignia. This is where I would argue that its not a pure coincidence of resemblance to the skull and crossbones symbol!
Especially not if the Jesuits used to fly these flags on their Black Ships in the 1600's and use them when initiating a priest into the 4th vow.

We can take it a step further here. Bcuz, like I showed above, the Royal Arch was the two pillars, Boaz and Jachin, shown there with the sun and moon respectively.
But that has changed.
They have at some point replaced them with the globes of the earth and the heavens with the zodiacal belt:

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Why? Isnt this the Pope's temporal and spiritual power?

As we know, these two pillars represent the summer and winter solstices. And the middle is the equinoxes, the "beyond", the "X-factor" you might say.
The sun will rise in the middle at both equinoxes, two times a year. Two "X"s.

Is this also symbolised in the compass and square logo which crosses over?

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Why do they cross on both sides. Is it the two equinoxes, the "beyond" between the two pillars (the "sun door")?

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Solomons temple is also a masonic allusion to the sun's temple. And that is heaven. Thats why the temple was started being built at vernal equinox and ended at autumnal equinox and overall completely symbolises the universe in every way, according to the biblical description.
The masons call "the beyond" the "great celestial lodge". Heaven.
So here we have Solomons celestial temple represented between the pillars, as the equinoxes, the two crosses/gateways to the beyond from the compass and square:
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We even have the vesica yoni first, another symbol for the gateway between the realms, with the masonic sculpture of the "weeping virgin" inside (aswell as the enerative principle below)

The Pope (or rather the Jesuits) want to rule from the rebuilt Solomons temple - his "church" - in Jerusalem. But Solomons temple is also a symbol of heaven ("the sun's temple") which means the Pope wants symbolically to be GOD in heaven ruling from Israel!

Here is a fascinating Freemason scupture. This is in Eilat, ISRAEL:
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The two powers of the Pope, temporal and spiritual, earthly and heavenly, the two pillars of power that the Vatican is resting upon.
The pyramid with the eye. The New World Order? Solomons temple, the sun's/Pope's temple of heaven?
The proportions of the inside of the Great Pyramid (Kings Chamber) is infact the same proportions of the precisely described parts of the biblical Solomons temple!
1:2 proportions (double cube), the numbers 1-7 represented, Pythagoras incorporated etc.

Notice how its purposely built upon a rock

Matthew 16:18
and upon this rock I will build my church; and the gates of hell shall not prevail against it

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Israeli supreme court, Jerusalem
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Malcolm X?
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Originary published in "Sex and the Vatican" blog:

Saturday, March 7, 2009

From: "Papal Keys and Masonic Symbolism, by Mad.Arsenal" - I


The geometry of the Novo Ordo Seclorum - 1

Part one
(corrections and additions: see bottom page)


If you take a map of the centre of the city of Trieste, and then you draw three lines between important points of the zone, you’ll obtain a triangle. Triangles are important in the occult and exoteric shaping of the cities. Not only the Romans, but as well the Etruscans, the Greeks, the Egyptians, the Mayas, the Sumerians etc. were building their cities having as ideal reference grid the constellations in the sky. As the sect of Luciferian priests never ceased to rule the earth since at least 6,000 years, the reference to the celestial virgin, translated in the shape of streets and buildings, can be found in many modern town. For example the capital of the District of Columbia, from where the North American confederate states are ruled by a Vatican corporation, the Congress.


The squared triangle shaped with the Pennsylvania avenue, with the Congress, its reference to the celestial Virgo, and the reference of her to the occult exoteric Lucifer entity, was a conscious product of the willing of those priests, who, with the help of the brother of the first American Roman Catholic bishop, the Jesuit Carroll, transformed the occult symbolism of their theological and material absolute power on earth in the shape of the building and the streets of Washington.

From the article quoted in the previous message, "The 'American' masonic cup - filled with Vatican and Jesuitical sap":


"....L'Enfant carefully planned for the federal city to manifest the star pattern formed by three stars (all of the first magnitude) surrounding Virgo. They are: Arcturus, Spica, and Regulus. These form almost a perfect right angled triangle with Virgo inside the triangle.

The White House represents Arcturus, the guardian star, supposed to confer renown and prosperity.

The Capitol represents Regulus, the “Little King.” It shows that Congress is King, ruling from the Capitol, the place of power and command.

The Washington Monument represents Spica. On star maps, Spica is in the wheat ear held by Virgo, and so it represents future growth, nourishment, wealth, renown, and advancement.

In this way, the so-called “federal triangle” was meant to bring to earth the heavenly triangle of stars surrounding Virgo. In fact, L'Enfant originally designed this to be a perfect right-angel triangle, but the Washington Monument was ultimately constructed to one side, because, they said, the foundations were not secure enough to place it in the location drawn up by L'Enfant. Thus, the federal triangle was no longer a perfect Masonic square (right angle).

However, in moving the Monument to one side, it became a near-perfect representation of the actual location of the three stars mentioned above. These stars nearly form a right triangle, but not quite. Spica is two degrees too far south to make it a perfect right triangle. In constructing the Monument slightly off center, they made the federal triangle reflect the precise positions of the three stars!

The Mall between the Washington Monument and the Capitol was meant to portray the ecliptic—that is, the path of the Sun through the Zodiac (that is, the constellations). Constitution Avenue, which runs parallel to the Mall, has zodiacs on either side of it. The Dirkson Building on the east end of the Capitol grounds contains 12 zodiacs. On the other end of Constitution Avenue there are 3 more zodiacs. The idea was to portray the ecliptic path as America's path—that we would follow the Constitution (avenue), rather than the laws of hereditary kings. ...."

The city of Trieste is surely less important in the Novo Ordo Seclorum agenda if compared with the city of Washington D.C. And only God knows how many other cities have their brave triangle of Virgo. But the city of Trieste was important also for the (occult) building of the same American nation. Maximilian, the ‘emperor’ of Mexico, sailed from this city to ‘free’ Mexico and the North America from the cursed secular powers, exactly the year before the murdering of President Abraham Lincoln, on the 14th April 1864. That was not the blind coincidence of unforeseeable future events. And Trieste is the centre of the particular form of nationalism, the “Irredentism”, that pushed the Italian reign to fight against the Central Empires, causing so the defeat and the vanishing of the German bloodlines governing the centre Europe – and with them the vanishing of the old Protestant power in continental Europe. So the triangle of Trieste doesn’t lie in an arbitrary location. I didn’t have fun drawing casual lines to then build an alleged product of my fantasy in order to impress people. The corners of this celestial triangle are noteworthy!

The celestial triangle found itself with a corner on the historical hill where the ancient castle – named in honour to the saint patron of the city, “saint Just” – is laying, and with the other two corners in the below plain, in two squares: Goldoni square (Carlo Goldoni,Venetian author of brilliant and satirical comedies), and Giuseppe Garibaldi square (Giuseppe Garibaldi, the “Hero of two worlds”, who unified the peninsula under the command of the Savoy bloodline). And also its inclination respect the N-S and W-E points are surely not the product of a blind coincidence. Please, note the date and location of the below sky map and then compare both triangles (if you dont see the images, please click on the void space to see them):

If you measure the angles and the sides you’ll see the nearly perfect coincidence among both triangles. I don’t have under the hands the specialized astronomical literature giving the exact angular distances and ascent of the stars, but simple measures directly realized on both maps. If you take the sides A and B of both triangles and then you calculate the rapport A/B, for the first astronomical triangle you’ll obtain 0.61 meanwhile for the urban triangle the value is 0.60. The values for the other rapport, A/C, are respectively 0.58 and 0.57. If you consider another astronomical triangle, you’ll obtain approximatively the same values:

Here the rapport A/B is 0.63 and the rapport A/C is 0.54. The astronomical triangle, calculated with an astronomical software, is more exact than the artistic triangle of the above pic. Now, in order to verify the similarity between both triangles, you have to apply a simple trigonometric theorem which states the similarity of two triangles when at least two sides and the angle between them are equal (or the sides - if they are not coincident for both triangles – at least giving the same proportion). An empirical measurement for the angle between the sides A and B of the ‘artistic’ triangle gives the approximate value of 87°, the celestial triangle 80° and the urban triangle 78°. All the values are an approximation of the true value. But also considering the unavoidable errors, it is clear that the triangle on the ground is representing the one in the sky. In a strict sense, of course, they are not geometrically similar, but in the real world it doesn’t exist two identical or similar triangles, this is only a geometrical and mathematical abstraction.

The first corner (signed with # 1) materially built was the obelisk/pillar on the hill, which has been consecrated to the victory of Italy in the WWI. The defeat of the s.c. “Central Empires” as result of the European conflict 1914 – 1918, was the partial, planned result of the long lasting war Rome is pursuing, since at least the sixteenth century, in order to submit again the riotous Northern European ‘provinces’ of its 2500 years lasting Luciferian Roman empire. Under the alibi of the “union of the Italian city of Trieste with the mother homeland Italy”, so under a national alibi, there was and is hidden the Counter Reformation war and the implacable imposition of the papal supremacy on the Northern populations. The obelisk, with its five faces (*) , was built by the Fascist regime at the top of a big flight of steps and is representing the star Spica :

Shortly, I give you here a reference also to the patron of the city whose name is also the name of the near castle. With ‘saint’ Just, one among the gods of the pagan pantheon of the Roman Catholic church, we are going directly to the core of the Saturnalia brotherhood, from which the Vatican, the Jesuit order, the ‘free’ or not Masonry are born. His image, fixed in the cathedral near the castle, the “Cattedrale di San Giusto”, at the top of the hill, shows to you the true origin of the two Masonic pillars – Boaz and Jachin:

On the top of the hill, near the castle and the cathedral, there are the ruins of the the ancient Roman temple. The cathedral is its successor, as the Roman Catholic church is only the old Roman Empire with the word “empire” translated and disguised in its theological correspondent “catholic church”. In the future I’ll return on saint Just, for now it is sufficient only to mention him.

The second corner (# 2) of this sacred triangle, the corner that, together with the first represents the side A of the celestial triangle, is sited down below the flight of steps, in Goldoni square. It takes the place of the star Arcturus of the celestial triangle. It was built some years ago and is part of a monument dedicated in honour to “all the victims” of the WWII. “All”: from the anti-fascist victims tortured and killed in the concentration camps to their Fascist and Nazi executioners who did not die “of old age in Los Angeles” like their Roman Catholic SS commandant Globocnik. Virtually the monument is also dedicated to the Italian victims of Tito’s army. But as the others, they too were sacrificial victims, “Opfern” dedicated to the underground gods of the Vatican which, through the destruction of the civil life with bloody ethnic clashes in the North Adriatic regions, pursued - first - its war of destruction, and second, its war of re-conquest of the riotous Northern European ‘provinces’. Divert the attention from your Counter Reformation goals with the ethnic and national bloody wars, and use them like a disguised military and especially theological hammer to realize – without awareness of the masses – those the same Counter Reformation goals. Here’s the monument in Goldoni square – have you still doubts about the occult importance of this city for the building of the Novo Ordo Seclorum?

An interesting particular is the light system used to enlighten this sort of alien machine. Meanwhile for the other two corners of the triangle their lights are coming from outside, this pillar has the lights inside, and so at night it gives a very sinister impression: you would agree with the surname I chose, “alien machine”, if you looked at it after the sunset (the citizens surnamed it “CD box”).

Then you had surely noted the yellow/white building just in front of the pillar. The building is the seat of the “Lega degli Istriani” (= ”League of Histrians”), the legue of the Italian Vertriebenen who have been expelled from Istria by Tito in the immediately following years after the end of WWII. My mother was six year old when she leaved Istria. The colours of the building is not responding to pure aesthetic standards. Yellow (even if in a different tone) and white are the official colours of the Vatican flag:

The flag of the Vatican theocratic despotic monarchy, whose power and despotism has been enormously increased after the ethnic hate and wars went spread in the North Adriatic regions. The oppression and violence suffered by the not Italian Slovenian and Croatian populations by the s.c. ‘Irredentist’ Italian nationalism since 150 years ago, led to the automatic consequence of further sequent violence perpetrated on the Italian community of Istria and Dalmazia after a century. Since the second half of the XIX century an abyss of hate and clashes, covered by hypocrite and false expression of ‘collaboration among ethnic groups’, is keeping the North Adriatic regions in the condition of a powder store whose keys are exclusively in the hands of the Vatican and its Jesuits controllers . So it is clear why you have here the seat of the Italian Vertriebenen from Istria. To explain better the importance, you have to know that the representatives of the “Lega degli Istriani” were the last people Joerg Haider officially met in a lunch before to die .

In the upper image you can see the virtual side delimited by the two pillars. “On the Saint Just Hill”/ “Colle di San Giusto” is visible the “Victory” pillar/obelisk. Below it the “Scalinata dei Giganti”/”Giants’ flight of steps” which connects the corner # 1 with the corner # 2. Note the entry of the tunnel, also a work of the Italian Fascist regime after the end of first World war, a work that recalls echoes of that underworld world, of which the pontifex maximus of Rome represents the ‘ponte’ aka the ‘bridge’ to enter in communication with the Hell. And approximatively, over the entrance of tunnel, , there were also the old Jewish and the evangelical cemetery – before the Bonaparte’s laws did push them outside the urban area.

It remains the third corner (#3), the third angle necessary to draw the side B and the side C. It is sited in a triangular square, the square entitled to Garibaldi. Giuseppe Garibaldi was a mason:


"...An active freemason, Garibaldi had little use for rituals, but thought of masonry as a network to unite progressive men as brothers both within nations and as members of a global community. He was eventually elected the grand master of the Grand Orient of Italy....".

At the top of a pillar, on the corner, shaping the angle where the sides C and B converge, there’s the statue of the Madonna, taking the celestial place of the star Regulus:

I would have putted the ‘virgin’ Mary at the top of the hill, as the star represented by that obelisk is Spica of the Virgo constellation. So for coherence this should be the right place for the Romanist ‘virgin’. But if you consider that it has five faces, all the counts fit: five like a recall to the female entity of Lucifer (Venus, Isis, etc.) and so the Regulus shaped with the form of a golden 'virgin' could represent just the image of the reflex of the essence of the first obelisk on the hill/capitol (**). In any case the three obelisks/pillars have not been placed by a blind hand but following a precise plan that must bring the reflex of the celestial design on the ground of this Jesuit city. It has to be remarked that the Madonna is looking at East-North-East, with the sight (= side C) inclined respect the parallels for 20, 21 degrees. I am interested to note if the statue, the golden statue alluding to the rays of the sun, is virtually obscured by the first obelisk on the hill during the sunset of a precise day.

The inclination of the urban triangle is about the same of its celestial twin in the month of August. The date of the image generated by an astronomical software is the 10th August. I consulted an astronomical manual with tables referred to the sky for every month of the year. For the boreal hemisphere, in the month of August, the inclination of the celestial triangle is the same of the urban one. From the 1st August to the 1st September starting from the 11 PM (1st August) to end to the 9 PM (1st September), the stars Spica and Regulus which are tracing the ecliptic are below the horizon meanwhile Arcuturus of Boote is above the horizon. If you could see through the earth you’ll see a triangle – at a precise different hour every night, from the 11 to the 9 PM – with about the same inclination of the urban one. Why? But because in august there’s the Roman Catholic holyday of the acceptance of the ‘virgin’ Mary in the sky. Truly speaking, it seems that Rome simply turned the sense of the words, as with the month of July the Virgo constellation disappear below the horizon, in the ‘underworld’, the same underworld of which the entrance of the tunnel along the side A of the urban Virgo seems to allude. In the Romanist theological language, ‘Sky’ and ‘paradise’ are code-names for the concept of Hell and Underworld.

End of the first part.

Rat-lines in Trieste

Rat-lines in Washington, D.C.

------------- CORRECTIONS & ADDITIONS - 22 Feb '09 --------------

Evidently the obelisk is not with "evident eight faces" but with five faces. A pentagon, and so through the number 15 is linked with Venus/Isisi/'virgin' Mary/etc. cult (I am going with the memory to the Craig Oxley statements) so the obelisk is too linked with the female entity, in other word, not simply with Virgo, but more exactly with her true identity, Lucifer. For consequence, I added the sentence below, marked with (**): "But if you consider that it has five faces,.......etc........of the reflex of the essence of the first obelisk on the hill/capitol (**)".

For the female number Five (5), see the post of Feb 20 2009, 06:13 PM in "THE SATURNALIAN BROTHERHOOD EXPOSED, HOW THE 666 NIMROD LEADERSHIP THINK". In any case the reversed five pointed star of the Washington city dedicated to the cult of Virgo is esplicit.

Other corrections are the date of the sailing of Maximilian to Mexico - he didn't sail the same year of Krushov and of the suspect murder of Korolev, the Russian von Braun, but a century before, the 14 Apr. 1864. And the age of the building of the Saturnalia tunnel, the years after the first WW, because Mussolini after the second WW was only a rotten corpse laying in his hometown grave.

Originary published in "Sex and the Vatican" blog:

Friday, February 20, 2009

The geometry of the Novo Ordo Seclorum - 1

Part one